Xavier Dolan has long been a festival favourite. His first film, I Killed My Mother<\/em>, earned him a spot in the Director’s Fortnight section of Cannes in 2009 at the age of just 20. In 2014, he scooped the Jury Prize for Mommy<\/em> and in 2016 landed the Grand Prix for It’s Only the End of the World<\/em>. This year, the French-Canadian prodigy directs and stars in Matthias & Maxime<\/em>, a tense drama chronicling the intense friendship of two young men.<\/p>\n

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The Most Glamorous Couples At Cannes: In Vintage Pictures<\/h3>\n<\/div>\n
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People & Parties<\/span><\/li>\n
25 May 2018<\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n
Sorry We Missed You<\/h3>\n
Ken Loach\u2019s politically charged polemics have won the Palme d’Or twice before \u2013 The Wind That Shakes the Barley<\/em> in 2006 and I, Daniel Blake<\/em> a decade later \u2013 and Sorry We Missed You<\/em> acts as a spiritual sequel to the latter. It charts the story of a Newcastle-based delivery driver and his family who are plunged into debt and struggling to survive. Exploring complex issues that range from the gig economy and zero-hour contracts to the long-term impacts of the financial crisis, it offers up a harrowing and moving portrait of contemporary British life.<\/p>\n
Frankie<\/h3>\n
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Isabelle Huppert in Frankie <\/em><\/p>\n<\/figcaption>
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SBS<\/div>\n<\/div>\n<\/figure>\n
Three generations of a European family come together for one last holiday in Ira Sachs\u2019s new drama, which unfolds over the course of a single day and sees them grappling with a crisis that will change their lives forever. Starring Isabelle Huppert as the matriarch and title character, support comes in the form of Marisa Tomei, J\u00e9r\u00e9mie Renier and Greg Kinnear, while the Portuguese town of Sintra provides a fairy-tale setting.<\/p>\n
Parasite<\/h3>\n
Bong Joon-ho\u2019s Okja<\/em> became collateral damage during Cannes\u2019s battle with Netflix in 2017, after it ignited a debate over the importance of exclusive theatrical release windows (the Netflix-funded film landed on the streaming platform only a month after its Cannes premiere). This year, the South Korean director is back with the more traditionally financed Parasite<\/em>. Examining class differences, poverty and cross-generational dynamics in his native Korea, it follows a young man who applies to be a private tutor and soon becomes entangled in the lives of another family.<\/p>\n
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Once Upon a Time in Hollywood<\/h3>\n
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Leonardo DiCaprio in Once Upon A Time In Hollywood <\/em><\/p>\n<\/figcaption>
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Alamy<\/div>\n<\/div>\n<\/figure>\n
25 years after Quentin Tarantino won the Palme d\u2019Or for Pulp Fiction<\/em>, he returns to the festival with a rip-roaring thriller<\/a> set in Manson-era Hollywood starring Leonardo DiCaprio, Brad Pitt and Margot Robbie<\/a>. The ensemble cast also includes Al Pacino, Dakota Fanning, Lena Dunham and Luke Perry, in the actor\u2019s final role. While the film was conspicuously absent from Cannes\u2019s line-up announcement in April due to a delay in the editing suite, it is now firmly on the roster \u2013 and organisers are hoping it will have been worth the wait.<\/p>\n","protected":false},"excerpt":{"rendered":"
As the stars prepare to descend on the Croisette for the Cannes Film Festival, Vogue spotlights 11 must-see movies on the 2019 line-up \u2013 from Palme d’Or-winning director Ken Loach’s return to the fantastical Elton John biopic, Rocketman. The 72nd edition of the French Riviera\u2019s premiere film festival returns this year from 14-25 May, with … <\/p>\n
Continue reading “The 11 Most Anticipated Films At Cannes 2019”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":7642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-7652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"rttpg_featured_image_url":{"full":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"landscape":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"portraits":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"thumbnail":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films-150x150.jpg",150,150,true],"medium":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films-300x200.jpg",300,200,true],"large":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",760,507,false],"1536x1536":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"2048x2048":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"depicter-thumbnail":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",200,133,false],"music-lite-featured-large":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"music-lite-featured-medium":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false],"music-lite-featured-small":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",640,427,false],"music-lite-featured-square":["http:\/\/novocommunications.net\/hott93\/wp-content\/uploads\/2019\/05\/anticipated_films.jpg",810,540,false]},"rttpg_author":{"display_name":"jeewan","author_link":"http:\/\/novocommunications.net\/hott93\/author\/jeewan\/"},"rttpg_comment":1,"rttpg_category":"News<\/a>","rttpg_excerpt":"As the stars prepare to descend on the Croisette for the Cannes Film Festival, Vogue spotlights 11 must-see movies on the 2019 line-up \u2013 from Palme d’Or-winning director Ken Loach’s return to the fantastical Elton John biopic, Rocketman. The 72nd edition of the French Riviera\u2019s premiere film festival returns this year from 14-25 May, with…","_links":{"self":[{"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/posts\/7652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/comments?post=7652"}],"version-history":[{"count":1,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/posts\/7652\/revisions"}],"predecessor-version":[{"id":7653,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/posts\/7652\/revisions\/7653"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/media\/7642"}],"wp:attachment":[{"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/media?parent=7652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/categories?post=7652"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/novocommunications.net\/hott93\/wp-json\/wp\/v2\/tags?post=7652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

Pain and Glory<\/h3>\n\n<\/div>\n

The Dead Don\u2019t Die<\/h3>\n\n<\/div>\n