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{"id":99,"date":"2016-05-18T19:55:12","date_gmt":"2016-05-18T19:55:12","guid":{"rendered":"http:\/\/qantumthemes.xyz\/sonik\/demo1\/?p=79"},"modified":"2016-05-18T19:55:12","modified_gmt":"2016-05-18T19:55:12","slug":"practice-in-public-makes-perfect","status":"publish","type":"post","link":"http:\/\/novocommunications.net\/hott93\/practice-in-public-makes-perfect\/","title":{"rendered":"Practice in Public Makes Perfect: how playing for your fans makes you better"},"content":{"rendered":"

Price, 57, has played music nearly her whole life, starting with piano when she was five years old. But in the fall of 2009, the guitar was still something of mystery to her. She had been playing for only a couple of months and was struggling a bit with the new challenges. Yet, instead of holing up in her living room to practice until she felt more confident, she did something totally unexpected: she packed up her guitar and sheet music, headed into downtown Los Angeles, and set up outdoors to work through the new techniques.<\/p>\n

Twice a year, Active Arts, a series of programs run by the Music Center in Los Angeles, invites recreational musicians to the arts center\u2019s campus for a 30-minute outdoor practice session called Public Practice. There are no rules about what participants can and cannot play, and mistakes are more than welcome.<\/p>\n

\u201cI looked at it as a way to make the time to practice, because I\u2019m always so busy,\u201d explains Price, a legal secretary. Having participated in Public Practice three times, she\u2019s found that bringing her music outdoors helps her focus. \u201cPlaying out in public encourages me to approach things a little bit differently. Even though it\u2019s not a performance, knowing that I might have observers helps me to organize my practice session,\u201d she says.<\/p>\n

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